Critique from Lorraine Owen and the Organisation!

Stitching Butterflies got a critique!

To sum up the critique, I need to work on my tone/color and drawing a lot more.

They seemed to like the Lily piece more, and I would agree.

The Stella piece needs more work, particularly I think with big Stella I need to draw it again (haHA!)

Overall, very helpful. I will say that I want to keep my color palate. I don't think that children's books must be radiating with color and brightness and I want to keep my palate. Work on darks and lights? Yes. Work on drawing? Yes. I'll make sure to practice these but I like my palate and I want to stick with it.

Completed 2nd Draft of Book Dummy

Drum roll please...

*DUDUDUDUDUDUDUDUDUDUDUDUDUDUUUU*

*PSHEEEE!* SMASH!

Okay, got too excited. I've never thought of how to write the sound of a drum roll...

Anyway, the 2nd draft of Stitching Butterflies book dummy is complete! Does it need tweaking still? Oh yes. Definitely, but I'm not going to let the incompleteness of a book dummy get me down. In fact it's better to not have fully fleshed out details sometimes with a book dummy. Fully prepared manuscript? Yes. Full, completed illustrations? Yes, but not the dummy. The agent or publisher might think you don't intend to change anything which isn't so as many things should be changed in the process.

Alright, so long SB for a little while! I've gotta start working on Lues and Sues. 

Second Illustration COMPLETE (I think)

I truly believe that my process could be a lot easier if I tried. This next piece took about a dozen sketches and re draws and tears (haha) to make. 

The biggest problem that I've had for a long time is tone/shading and clarity. Perhaps I'm an abstract artist at heart, but rarely is abstraction acceptable in illustration...especially if that abstraction was meant to be a hand or something or other important detail that needs clarification.  To fix this issue, I began to determine tone in photoshop by scanning my drawing in (after sketching out the darks and lights in thumbnails @_@) and just going through with photoshop paint. After that, to help with color (which sometimes I'll get too many layers and forget that this is acrylic and NOT oil paints) I just plop in the color to determine where things are placed, and gain more clarification.

Then comes the re-draw yay! I figure out what I enjoyed most of about the sketch, then draw the final. The acrylic layer is then painted on for texture purposes (and for patience purposes as working with acrylics can be annoying sometimes, but I suppose thats what happens when working with a plastic paint, not nearly as flexible as oils or digital) as I like painted textures with a strong color and found the combo to be fairly interesting. Prints way better too! And quicker! Joy.

In the middle of making this, I realized in my sketch I didn't see the gutter problem with the dandelion and the first "stitch" sooooooo... had to fix it. 

I did.

And here it is.

Perhaps I'll add the words on here later tonight, but this is the page spread! Another illustration complete for the dummy. I'll be making this one next!

I'm Finished! Woo hooo!

I'm finally finished with this piece! (maybe...for now I am though!) Is it a portfolio piece? I don't know but I'll probably add it with the other Little Red Riding Hood piece if I do. ^_^

Building a Portfolio? Uh Oh

Out of my entire website, I found only three pieces that has done anything to get into my actual portfolio. I guess they're right in saying it takes a lot of failure to gain any kind of success (whoever they are ha.)

My illustration work has disappointed me.

But! When I look and compare the work I was doing just a year ago, a lot has changed. I have gotten more accurate and I pay more attention to detail. I had thought, and this is a silly thought, that illustration was supposed to be "made up" or something that my mind has poured out on a surface without any reference. Well, it's not too surprising that I thought this. Going to college with many different artists, the fine artists and the illustrators were almost at war with each other in the ideas for what is a true art piece. As a fine artist and oil painter first, I thought that if I used reference the image would be too realistic and traditional to be an illustration.

Blah no!

Again, silly thought and perhaps thinking this way has made my art suffer. Any readers out there, if you have a stable idea of what art is rethink it! You might find a whole new reality.

To keep myself from spiraling down into a dark abyss of the stereotypical, almost archetypal, artist defeated depression, I started looking around for simple explanations for building a portfolio. I found this blog post helpfully breaking down what my portfolio needed to accomplish. I've read this one before however it's still helpful. Both of these illustrators seem to have their stuff together, and if there's any way of learning how to put a portfolio together and be professional, looking at successful illustrator portfolios is the best.

In the end, out of the 23 pieces on my website, and many others not on my website, these three are the only ones that are close to portfolio worthy. That's okay. If I can make three already then I can make three more.